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A small dark point sits on the skin. Inside the otherwise even surface, that single point holds different information from everything around it. The eye slides toward it without consultation. The bearer is either unaware of it or aware but unable to cover it. Watching it produces the urge to take it into the mouth, to brush against it, to keep looking. Mole fetish (ほくろフェチ, hokuro fetchi; English: mole fetish, beauty-mark attraction) is the name for sexual or aesthetic attraction to hokuro — moles on the skin — as the focal point.

What a mole is

A hokuro is, in medical terms, a pigmented nevus: a small benign growth in which melanocytic cells (derived from melanocytes) cluster locally in the epidermis and produce and accumulate melanin pigment. Moles may be congenital or acquired, and new moles frequently appear after puberty. They are typically small and round with a relatively distinct border, in contrast to freckles, which are typically multiple, small, and dispersed.

Moles are classified by size, shape, intensity of pigmentation, and degree of elevation. Flat pigmentation-only moles, slightly elevated moles, and moles with hair are all recognised types.

Placement and meaning

When a mole functions as the object of a kink, its placement substantially changes the reading.

A naki-bokuro (“tear mole”) is a mole below the lower eyelid. Because tears falling from the eye would pass directly over that point on the cheek, the placement was named for the trace tears would leave. In classical face-reading and divination it has been read as a face with extra moisture, a face with sensuality, a face that carries grief. In Japan the tear mole functions as a sign of sensuality, fragility, enchantment and sits at the centre of the kink.

A lip-side mole (beside the corner of the mouth, on the upper lip, between nose and lip) is consumed as a sign of sensuality, adulthood, and a slightly mischievous register. Marilyn Monroe’s lip-side beauty mark in early-20th-century Hollywood became an international icon and produced a culture of cosmetic beauty marks, drawn or applied. In Japan the same technique has been adopted, with a drawn-on lip-side mole used as a one-step addition of sensuality.

Below-eye, brow-side, cheek mole, neck-side, collarbone, breast, inner-thigh moles each carry their own attraction structure, and people with the kink identify partners by particular combinations of placement.

How the kink works

Several psychological circuits combine to make moles function as a focal point. First, the mole is a marker of skin individuation. Two people with broadly similar facial features will not, as a rule, have the same constellation of moles. The placement and number of moles function as an individual-identification mark; they are part of the information that lets the viewer recognise the partner as this one and no other.

Second, the mole operates as a visual anchor that pulls attention to a single point. Inside a large area of skin, a single small dark point reliably catches the eye — a basic feature of the visual system that aids the identification of objects. Third, a mole is a bodily characteristic that exists independently of the bearer’s intention and cannot be completely covered. In that sense it functions, in the same architecture as involuntary blushing, as a leak of the inner. The fact that an observer knows about a specific mole — she has one there — is itself a signal of privileged intimacy.

Cultural history and visual icons

In the modern era moles entered Western cosmetic culture as beauty marks and mouches, and the fashion for stuck-on beauty marks ran through 17th- and 18th-century European courts. Noblewomen used small silk patches placed on the face as decoration; the placement was elaborated into a sign system in which different placements communicated different signals.

In Japan, moles have been read through a hokuro divination tradition since the Edo period, with the fortune attributed to different placements. The decorative role that emphasises sensuality and the divinatory role that reads destiny have together formed the two wheels of mole-related culture in Japan.

In live-action adult work, performer profiles sometimes specify a particular mole — mole at the right corner of the mouth, mole below the left eye — as a distinguishing feature, and there are fans whose preference is for performers with a particular mole. In manga and anime character design, a mole functions effectively as a sign that compresses sensuality, adulthood, and a hint of allure into a single point.

Adjacent kinks

The mole fetish sits at the centre of a wider family of skin-irregularity affection: freckle fetish, birthmark fetish, tattoo fetish, scar fetish. The freckle line and the mole line in particular share the same psychological architecture — affection for an individuating mark on the skin — even though the marks differ in placement and size.

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References

  1. Hiroki Azuma 『Otaku: Japan's Database Animals』 University of Minnesota Press (2009)
  2. Marina Warner 『From the Beast to the Blonde: On Fairy Tales and Their Tellers』 Farrar, Straus and Giroux (1995) — Reference on the European cultural history of the beauty mark.
  3. Patrick W. Galbraith 『The Moé Manifesto』 Tuttle Publishing (2014)
  4. Tamaki Saitō (trans. Vincent and Lawson) 『Beautiful Fighting Girl』 University of Minnesota Press (2011)

Also known as

  • mole fetish
  • beauty mark attraction
  • tear-mole fetish
  • ja: ほくろフェチ
  • ja: 黒子フェチ
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